Opening reception May 13. Artists: Natalie Jeremijenko and xClinic, Mary Miss, Rirkrit Tiravanija, and George Trakas. Co-organized with The Noguchi Museum and curated by Amy Smith-Stewart.

A sacred experience, invoking the liberating and resurrecting power of Pan African Theology Master Teachers.

Cartoons come to life at the New York Hall of Science during Animation, a 6,000-square-foot exhibition featuring characters from the Cartoon Network. The exhibition explores animation from concept to finished product — from storyboarding, character design, and drawing techniques to movement, timing, filming and sound. Larger-than-life graphics of popular Cartoon Network characters provide a colorful backdrop to the exhibition, which also explores the history of animation and features a screening room and a cartoon museum.

Opening Reception: April 22, 5-7 pm. Bollinger made significant waves in the late 1960s, challenging the limits of sculpture and expanding thought regarding concept, materiality, and commodity. His works were made from primarily pre-fabricated industrial supplies, such as sawhorses, oil drums, rubber tubing and cyclone fence. Focusing on the gesture of construction and the physical limits of material, Bollinger’s work addressed ideas of gravity, balance and material nature. According to him his interests lay not ‘in the aesthetics of form but in the fact of form’. He frequently used water for as a material, transforming it into something sculptural with mass and form as it fills a plastic hose or a steel barrel. Bollinger summed up his attitude to the making of his work: ‘It is all very easy to execute, does not exist until it has been executed, ceases to exist when it has been taken down.’

Susan Varo’s tribute to Michael Jackson. Reception June 16 at 2 p.m.

The installation Industry/Cinema is a split-screen work that juxtaposes images from industrial films and popular films made between 1896 and 1991. With specialized dual-channel headphones, visitors are able to toggle between the soundtracks, creating an ever-changing interplay between sound and image as they take an illuminating journey through film history.

Animation. a 6,000 square exhibit features characters from the Cartoon Network, including larger than life graphics, animation from concept to finished product, storyboarding, character design and drawing. 10 am–6 pm.

Opening reception May 13. Artists: Natalie Jeremijenko and xClinic, Mary Miss, Rirkrit Tiravanija, and George Trakas. Co-organized with The Noguchi Museum and curated by Amy Smith-Stewart.

Cartoons come to life at the New York Hall of Science during Animation, a 6,000-square-foot exhibition featuring characters from the Cartoon Network. The exhibition explores animation from concept to finished product — from storyboarding, character design, and drawing techniques to movement, timing, filming and sound. Larger-than-life graphics of popular Cartoon Network characters provide a colorful backdrop to the exhibition, which also explores the history of animation and features a screening room and a cartoon museum.

Opening Reception: April 22, 5-7 pm. Bollinger made significant waves in the late 1960s, challenging the limits of sculpture and expanding thought regarding concept, materiality, and commodity. His works were made from primarily pre-fabricated industrial supplies, such as sawhorses, oil drums, rubber tubing and cyclone fence. Focusing on the gesture of construction and the physical limits of material, Bollinger’s work addressed ideas of gravity, balance and material nature. According to him his interests lay not ‘in the aesthetics of form but in the fact of form’. He frequently used water for as a material, transforming it into something sculptural with mass and form as it fills a plastic hose or a steel barrel. Bollinger summed up his attitude to the making of his work: ‘It is all very easy to execute, does not exist until it has been executed, ceases to exist when it has been taken down.’

Susan Varo’s tribute to Michael Jackson. Reception June 16 at 2 p.m.

The installation Industry/Cinema is a split-screen work that juxtaposes images from industrial films and popular films made between 1896 and 1991. With specialized dual-channel headphones, visitors are able to toggle between the soundtracks, creating an ever-changing interplay between sound and image as they take an illuminating journey through film history.

Animation. a 6,000 square exhibit features characters from the Cartoon Network, including larger than life graphics, animation from concept to finished product, storyboarding, character design and drawing. 9:30 am–5 pm.

Queens Community House hosts group for caregivers in Queens. Counseling, respite, financial and educational services for caregivers also available. 6 pm.

Budding poets perfect the craft with Bob Trabold and Amanda Konstantine Perlmutter. 7:30 pm.

Opening reception May 13. Artists: Natalie Jeremijenko and xClinic, Mary Miss, Rirkrit Tiravanija, and George Trakas. Co-organized with The Noguchi Museum and curated by Amy Smith-Stewart.

Cartoons come to life at the New York Hall of Science during Animation, a 6,000-square-foot exhibition featuring characters from the Cartoon Network. The exhibition explores animation from concept to finished product — from storyboarding, character design, and drawing techniques to movement, timing, filming and sound. Larger-than-life graphics of popular Cartoon Network characters provide a colorful backdrop to the exhibition, which also explores the history of animation and features a screening room and a cartoon museum.

Opening Reception: April 22, 5-7 pm. Bollinger made significant waves in the late 1960s, challenging the limits of sculpture and expanding thought regarding concept, materiality, and commodity. His works were made from primarily pre-fabricated industrial supplies, such as sawhorses, oil drums, rubber tubing and cyclone fence. Focusing on the gesture of construction and the physical limits of material, Bollinger’s work addressed ideas of gravity, balance and material nature. According to him his interests lay not ‘in the aesthetics of form but in the fact of form’. He frequently used water for as a material, transforming it into something sculptural with mass and form as it fills a plastic hose or a steel barrel. Bollinger summed up his attitude to the making of his work: ‘It is all very easy to execute, does not exist until it has been executed, ceases to exist when it has been taken down.’

Susan Varo’s tribute to Michael Jackson. Reception June 16 at 2 p.m.

The installation Industry/Cinema is a split-screen work that juxtaposes images from industrial films and popular films made between 1896 and 1991. With specialized dual-channel headphones, visitors are able to toggle between the soundtracks, creating an ever-changing interplay between sound and image as they take an illuminating journey through film history.

Animation. a 6,000 square exhibit features characters from the Cartoon Network, including larger than life graphics, animation from concept to finished product, storyboarding, character design and drawing. 9:30 am–5 pm.

Opening reception May 13. Artists: Natalie Jeremijenko and xClinic, Mary Miss, Rirkrit Tiravanija, and George Trakas. Co-organized with The Noguchi Museum and curated by Amy Smith-Stewart.

Cartoons come to life at the New York Hall of Science during Animation, a 6,000-square-foot exhibition featuring characters from the Cartoon Network. The exhibition explores animation from concept to finished product — from storyboarding, character design, and drawing techniques to movement, timing, filming and sound. Larger-than-life graphics of popular Cartoon Network characters provide a colorful backdrop to the exhibition, which also explores the history of animation and features a screening room and a cartoon museum.

Opening Reception: April 22, 5-7 pm. Bollinger made significant waves in the late 1960s, challenging the limits of sculpture and expanding thought regarding concept, materiality, and commodity. His works were made from primarily pre-fabricated industrial supplies, such as sawhorses, oil drums, rubber tubing and cyclone fence. Focusing on the gesture of construction and the physical limits of material, Bollinger’s work addressed ideas of gravity, balance and material nature. According to him his interests lay not ‘in the aesthetics of form but in the fact of form’. He frequently used water for as a material, transforming it into something sculptural with mass and form as it fills a plastic hose or a steel barrel. Bollinger summed up his attitude to the making of his work: ‘It is all very easy to execute, does not exist until it has been executed, ceases to exist when it has been taken down.’

Susan Varo’s tribute to Michael Jackson. Reception June 16 at 2 p.m.

The installation Industry/Cinema is a split-screen work that juxtaposes images from industrial films and popular films made between 1896 and 1991. With specialized dual-channel headphones, visitors are able to toggle between the soundtracks, creating an ever-changing interplay between sound and image as they take an illuminating journey through film history.

Animation. a 6,000 square exhibit features characters from the Cartoon Network, including larger than life graphics, animation from concept to finished product, storyboarding, character design and drawing. 9:30 am–5 pm.

Queens Community House hosts group for caregivers in Queens. Counseling, respite, financial and educational services for caregivers also available. 6 pm.

Opening reception May 13. Artists: Natalie Jeremijenko and xClinic, Mary Miss, Rirkrit Tiravanija, and George Trakas. Co-organized with The Noguchi Museum and curated by Amy Smith-Stewart.

Cartoons come to life at the New York Hall of Science during Animation, a 6,000-square-foot exhibition featuring characters from the Cartoon Network. The exhibition explores animation from concept to finished product — from storyboarding, character design, and drawing techniques to movement, timing, filming and sound. Larger-than-life graphics of popular Cartoon Network characters provide a colorful backdrop to the exhibition, which also explores the history of animation and features a screening room and a cartoon museum.